### Sacred Geometry and the Meaning of Life

Nature is proof that She is a mathematician. It is as if math is Her preferred language for revealing Her deepest secrets to us. F=ma, Newton’s Laws of motion gave us the mechanical age and , Einstein’s mass and energy equivalence gave us the atomic age. Through these equations She gave man the power to harness her energy for his purposes. Physicist and futurist Michio Kaku believes that one day physicists will find an equation about “six inches long” that will explain all of nature. A single super equation, that would explain all of nature, from the behavior of subatomic particles to black holes and galaxies. A hope and a dream to be sure, but as Einstein said we want to know “the mind of God”.

We are familiar with equations in physics and in the sciences, but what about describing a beautiful flower, a fern, a sea shell or a perfect wave in the ocean? Does She reveal her creative nature through math too?

Z_{n +1 }= Z_{n }^{2} + C is the mathematical equation describing the Mandelbrot Set, named after the discoverer Benoit Mandelbrot, a Polish born, French, American polymath. The Mandelbrot Set are fractals which describe amazing shapes occurring in nature. “Fractals are special mathematical sets of numbers that display similarity through the full range of scale — i.e., they look the same no matter how big or how small they are. Another characteristic of fractals is that they exhibit great complexity driven by simplicity”.[i] Fractals are self-similar patterns of complexity driven by simplicity. The smallest unit of a fractal is similar to the whole. Fractals appear in nature in sea shells, galaxies, ferns and even human lungs.

“The mathematical beauty of fractals is that infinite complexity is formed from relatively simple equations. By iterating or repeating the fractal-generating equations many times, random outputs create patterns that are unique yet recognizable.” (Mcnally, n.d.).

What amazes me about fractals is that they are so prevalent in nature, are beautiful and yet complex patterns that can be represented by simple formulae.

Is math an expression of nature or vice versa?

X_{n} = X_{n-1 }+ X_{n-2} a sequence of numbers known as Fibonacci sequence was invented by Leonardo Pisano, an Italian mathematician, who was also known as Fibonacci (son of Bonacci). The sequence of numbers written out are **1, 1, 2, 3, 5, 8, 13, 21, 34, 55…**these numbers appear mysteriously in nature over and over again. This is why it is often referred to as nature’s secret code. This hidden code can be found in the numbers of petals on a flower, the structure of fruits and vegetables, the proportions of the human body, and even in the unique shape of spirals in nature. “Sunflowers are particularly fascinating as they show Fibonacci numbers in so many ways. Count the petals on a sunflower–there are many! –and you’ll most likely count *exactly* 21, 34 or 55 petals–nothing in between. If you look closely at the center of a sunflower, you will see a spiral pattern. In fact, there are spirals in two directions. If you have the patience to count the number of spirals, it will always be a Fibonacci number. Count the spirals in the other direction and it will be an adjacent Fibonacci number. So, if you count 34 spirals going to the right, you know that there will be either 21 or 55 spirals to the left.” Source: Fibonacci in Nature.[ii]

Long before Tegmark, Mandelbrot and Fibonacci there was Pythagoras, circa 400 BCE, who believed in divine geometry and started a religious movement based on this belief. Predating Pythagoras are mandalas–geometric patterns representing the universe– which first appeared in the Vedic text Rigveda. Mandalas are symbolic representations of the entire universe. The Vedic sages did not have knowledge of mathematics but they intuited (or divined) that the physical universe was a symbolic representation of the “mind of God”. Mandalas, like equations in physics, reveal the hidden order in the universe.

The Vedic sages believed that behind the forms in nature are deep patterns, and these patterns contain the inherent harmony in nature. Mandalas are representations of this harmony. The act of drawing mandalas and meditating on it, brings man and nature in harmony.

Physicists and the ancient Vedic sages have come to the same conclusion that behind forms and appearances are patterns, which can only be expressed in the abstractions of math and geometry.

Paraphrasing Maria Popova, who wrote in her essay[iii] on Susanne Langer that great art, requires a dual contemplation– “it asks the artist to contemplate her interior life and give shape to what she finds there in abstract form; it asks the audience to contemplate the abstraction and glean from it transcendent resonance with our own interior life.” Mandalas are sacred geometry that are “an act of translation–inner to outer to inner….in the act of that two-way translation, (they) transform us”

The point of abstractions to represent Reality is that the world we live in might be abstract, not material. Reality, therefore, is best represented by abstractions, like the mandalas or mathematical equations. Symbols are abstractions, it is we who give them meaning, as in Rorschach tests. Therefore, it is meaningless to ask what the meaning of life is because it is we who give life meaning.

The mind of God is revealed through math and the mind of man projects meaning onto it. God is a mathematician. And, Life is a Rorschach test[iv]!

[i] (https://www.mnn.com/earth-matters/wilderness-resources/blogs/14-amazing-fractals-found-in-nature, n.d.)

[ii] (https://plantsandbeyond.com/2018/01/08/fibonacci-sequence-in-nature-and-plants/, n.d.)

[iii] (https://www.brainpickings.org/2016/04/21/susanne-langer-philosophy-in-a-new-key-questions-answers/, n.d.)

[iv] (https://psychcentral.com/lib/rorschach-inkblot-test/, n.d.)